Un souper à la bonne franquette après une journée à l'Expo!
dimanche 1 septembre 2013
samedi 31 août 2013
jeudi 29 août 2013
mardi 27 août 2013
A spring night in a small town in Wisconsin. . . . A call to police emergency from a distant lake house is cut short. . . . A phone glitch or an aborted report of a crime? Off-duty deputy Brynn leaves her family’s dinner table and drives up to deserted Lake Mondac to find out. She stumbles onto the scene of a heinous murder. . . . Before she can call for backup, though, she finds herself the next potential victim. Deprived of her phone, weapon and car, Brynn and an unlikely ally – a survivor of the carnage – can survive only by fleeing into the dense, deserted woods, on a desperate trek to safety and ultimately to the choice to fight back. The professional criminals, also strangers to this hostile setting, must forge a tense alliance too, in order to find and kill the two witnesses to the crime… 
lundi 26 août 2013
mardi 20 août 2013
The perfect title for the perfect beach read from the New York Times bestselling Author
Jane Green is one of the preeminent authors of women�s fiction today, and with each new novel, her audience grows. Green�s avid and loyal fans follow her because she writes about the true-to-life dilemmas of women�and The Beach House will not disappoint.
Known in Nantucket as the crazy woman who lives in the rambling house atop the bluff, Nan doesn�t care what people think. At sixty-five-years old, her husband died twenty years ago, her beauty has faded, and her family has flown. If her neighbors are away, why shouldn�t she skinny dip in their swimming pools and help herself to their flowers? But when she discovers the money she thought would last forever is dwindling and she could lose her beloved house, Nan knows she has to make drastic changes.
So Nan takes out an ad: Rooms to rent for the summer in a beautiful old Nantucket home with water views and direct access to the beach. Slowly, people start moving into the house, filling it with noise, with laughter, and with tears. As the house comes alive again, Nan finds her family expanding. Her son comes home for the summer, and then an unexpected visitor turns all their lives upside-down.
Jane Green is one of the preeminent authors of women�s fiction today, and with each new novel, her audience grows. Green�s avid and loyal fans follow her because she writes about the true-to-life dilemmas of women�and The Beach House will not disappoint.
Known in Nantucket as the crazy woman who lives in the rambling house atop the bluff, Nan doesn�t care what people think. At sixty-five-years old, her husband died twenty years ago, her beauty has faded, and her family has flown. If her neighbors are away, why shouldn�t she skinny dip in their swimming pools and help herself to their flowers? But when she discovers the money she thought would last forever is dwindling and she could lose her beloved house, Nan knows she has to make drastic changes.
So Nan takes out an ad: Rooms to rent for the summer in a beautiful old Nantucket home with water views and direct access to the beach. Slowly, people start moving into the house, filling it with noise, with laughter, and with tears. As the house comes alive again, Nan finds her family expanding. Her son comes home for the summer, and then an unexpected visitor turns all their lives upside-down.
dimanche 18 août 2013
samedi 17 août 2013
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dimanche 11 août 2013
Data mining is the industry of the 21st century. Commercial companies collect information about us from thousands of sources—credit cards, loyalty programs, hidden radio tags in products, medical histories, employment and banking records, government filings, and many more—then analyze and sell the data to anyone willing to pay the going rate. Some people approve, citing economic benefits; others worry about the erosion of privacy.
But no one has been prepared for a new twist: A psychotic killer with access to the country’s biggest data miner—Strategic Systems Datacorp—is using detailed information to work his way into the lives of victims, rape, rob and kill them and then blame unsuspecting innocents for the crimes. The killer’s voluminous knowledge of the victims and his ability to plant damning evidence mean that even the most vocal protests of innocence go ignored by the police and juries.
The perp has, in short, found a perfect means to literally get away with murder—until one of his fall guys turns out to be Lincoln Rhyme’s cousin, Arthur, who is facing certain conviction for first-degree murder. Though the two Rhymes haven’t had any contact for years, Lincoln agrees to look into the case. In the process he unravels a spider web of crime that the killer, known only as Unknown Subject 522, has woven.
Rhyme, Amelia Sachs and the cast of the previous Rhyme books find themselves up against their most insidious villain, a man obsessed with collecting—from junk on the street to intimate details about our lives to the ultimate trophy: human lives themselves, which he sees as mere streams of data. This is a man proficient with razors and guns, but whose most dangerous weapon is information, which he wields with ruthless precision against those he targets on whim . . . and against those who try to stop him.
“How,” Rhyme says, “can you defend yourself against the man who knows everything?”
As the invisible 522 attacks his pursuers through identity theft and outright torture and murder, the stymied police have to turn to the likely source of the data the killer uses—the eerie and monolithic Strategic Systems Datacorp, headed by the legendary data mining pioneer, Andrew Sterling, whose “mission” is the creation of a global empire based not on politics or money but on information.
“Knowledge is power,” Sterling continually reminds.
And for Lincoln Rhyme, the case has an added dimension: Arthur’s reemergence draws him back to his childhood and teen years and forces the criminalist to grapple with a tragedy from his past he has avoided for decades.
The Broken Window is classic Deaver fare: Taking place over three frantic days, the novel features dozens of twists and turns, fascinating, highly researched details—about identity theft, data mining and threats to privacy, as well as forensic science—and, of course, offers the typical multiple surprise endings the author is known for crafting.
But no one has been prepared for a new twist: A psychotic killer with access to the country’s biggest data miner—Strategic Systems Datacorp—is using detailed information to work his way into the lives of victims, rape, rob and kill them and then blame unsuspecting innocents for the crimes. The killer’s voluminous knowledge of the victims and his ability to plant damning evidence mean that even the most vocal protests of innocence go ignored by the police and juries.
The perp has, in short, found a perfect means to literally get away with murder—until one of his fall guys turns out to be Lincoln Rhyme’s cousin, Arthur, who is facing certain conviction for first-degree murder. Though the two Rhymes haven’t had any contact for years, Lincoln agrees to look into the case. In the process he unravels a spider web of crime that the killer, known only as Unknown Subject 522, has woven.
Rhyme, Amelia Sachs and the cast of the previous Rhyme books find themselves up against their most insidious villain, a man obsessed with collecting—from junk on the street to intimate details about our lives to the ultimate trophy: human lives themselves, which he sees as mere streams of data. This is a man proficient with razors and guns, but whose most dangerous weapon is information, which he wields with ruthless precision against those he targets on whim . . . and against those who try to stop him.
“How,” Rhyme says, “can you defend yourself against the man who knows everything?”
As the invisible 522 attacks his pursuers through identity theft and outright torture and murder, the stymied police have to turn to the likely source of the data the killer uses—the eerie and monolithic Strategic Systems Datacorp, headed by the legendary data mining pioneer, Andrew Sterling, whose “mission” is the creation of a global empire based not on politics or money but on information.
“Knowledge is power,” Sterling continually reminds.
And for Lincoln Rhyme, the case has an added dimension: Arthur’s reemergence draws him back to his childhood and teen years and forces the criminalist to grapple with a tragedy from his past he has avoided for decades.
The Broken Window is classic Deaver fare: Taking place over three frantic days, the novel features dozens of twists and turns, fascinating, highly researched details—about identity theft, data mining and threats to privacy, as well as forensic science—and, of course, offers the typical multiple surprise endings the author is known for crafting.
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